“Detour 1945” is a twisted noir film about a man whose life careens off the road. When his ride to Los Angeles takes an unexpected turn, he finds himself trapped in a web of lies and deceit. The movie is full of unexpected twists and turns that lead to a shocking conclusion. It’s a dark and atmospheric journey through the seedy underbelly of the American dream.
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Review
In the small yet charming town in the heart of Hollywood, Detour is a film that stands out amongst the rest. With its groundbreaking storyline, impeccable acting and captivating cinematography, this film is a true masterpiece that has left audiences in awe. The film’s plot follows Al Roberts (Tom Neal), a piano player who sets out from New York City to reunite with his girlfriend in Los Angeles. Along the way, Roberts hitches a ride with Charles Haskell Jr. (Edmund MacDonald), an amiable businessman who turns out to have a darker side than anyone could have ever anticipated.
Detour has received widespread praise for its intricate plot and stunning performances from its cast. Tom Neal delivers an unforgettable performance as Al Roberts, capturing the character’s desperation and vulnerability perfectly. Edmund MacDonald also shines as Charles Haskell Jr., bringing both charm and menace to his portrayal of the duplicitous businessman.
The film’s score is another standout feature. Although there are only a handful of songs in Detour, each one is perfectly placed to enhance the tension and drama of the scene it accompanies. The soundtrack includes such classic tunes as “I Can’t Believe That You’re in Love with Me” by Jimmy McHugh and Clarence Gaskill.
Despite its critical acclaim, Detour was not without controversy during its initial release. The film was initially banned in several states due to its depiction of violence and moral ambiguity. However, it later gained a cult following which eventually led to its theatrical re-release.
The cinematography in Detour must also be applauded for its brilliant use of light and shadow to highlight the dark themes prevalent throughout the film. The high contrast black-and-white filming style creates an atmosphere that perfectly complements the story’s noir elements.
One of the most memorable scenes in Detour involves Al Roberts being awakened by a ringing telephone at night while he’s sleeping on his bed at a roadside motel. This scene offers a glimpse into Roberts’ deteriorating mental state and is a perfect example of the film’s use of atmosphere and suspense to create a sense of unease.
Detour has also been praised for its dialogue, with many critics noting the clever wordplay and double entendres that are sprinkled throughout the script. One particularly memorable quote from the film is when Al Roberts exclaims, “Fate, or some mysterious force, can put the finger on you or me, for no good reason at all.”
The film’s production was not without its challenges. Director Edgar G. Ulmer famously shot most of Detour in just six days on a shoestring budget which meant that there was virtually no room for error during filming. However, his expert direction and eye for detail resulted in a film that is both captivating and thought-provoking.
Detour received several accolades upon its release, including an Academy Award nomination for Best Original Screenplay. Despite losing out to The Lost Weekend at the ceremony, Detour has since been regarded as one of the greatest films ever made within the noir genre.
In conclusion, Detour is a masterpiece that will stay with audiences long after they’ve left the cinema. Its intricate plot, stunning performances from its cast and captivating cinematography make it one of Hollywood’s most iconic films. Although it faced controversy during its initial release due to its controversial themes and depiction of violence, Detour has since gained a cult following that continues to grow to this day. If you haven’t already seen this cinematic gem, do yourself a favor and watch it today – you won’t be disappointed!
Technical Data
- Runtime : 66
- Release : 1945-11-30
- Genre : Drama, Thriller
- Cast : Tom Neal as Al Roberts, Ann Savage as Vera, Claudia Drake as Sue Harvey, Edmund MacDonald as Charles Haskell Jr., Tim Ryan as Diner Owner
- Crew : Edgar G. Ulmer as Director, Bud Westmore as Makeup Artist, George McGuire as Editor, Edward C. Jewell as Art Direction, Martin Goldsmith as Screenplay
- Popularity 9.29
- Budget : $30,000
- Revenue : 0
- Company : PRC
- Summary : The life of Al Roberts, a pianist in a New York nightclub, turns into a nightmare when he decides to hitchhike to Los Angeles to visit his girlfriend.
- Tagline : He went searching for love… but fate forced a DETOUR to revelry… violence… mystery!
